Why Being Inflexible Is No Reason to Skip Dance Class 🪗

Spoiler: your body is more adaptable than you think.

📷 Patrizia Korn

"I'm Not Flexible" — The Most Popular Excuse

Almost every week, someone walks into our studio and says: "I'd love to dance… but I'm not flexible." We always smile knowingly. Why? Because we've all been there. And because that excuse is like saying: "I can't go to the gym because I'm not strong." Here's the truth:

Flexibility isn't something you are or aren't. It's something you train.

Even professional dancers lose flexibility when they stop stretching regularly. Bodies change—especially adult bodies—but they adapt beautifully when treated with patience and consistency. So if you're waiting to magically wake up flexible before starting dance class, you've got it backwards. Dance class is where you become flexible✨


Flexibility = More Than Just Stretching

Healthy flexibility training isn't about forcing yourself into an Instagram-worthy split. It's about having a conversation with your body and teaching it new comfort zones. And here's the secret nobody tells you: stretching isn't just what happens on the mat.

It’s connected to everything:

  • How you eat and hydrate — protein helps your muscles recover, and water keeps everything sliding instead of sticking.

  • How you recover and sleep — this one should be obvious, but we’ll say it anyway.

  • How consistently you show up — repetition is the real magic trick.

  • When you stretch — your flexibility on Monday morning won’t feel the same as on Thursday evening. And that’s completely okay.


Every Body Is Different — Literally and Figuratively

The way your bones are shaped, how your ligaments connect, the density of your muscles—all of it affects your range of motion. Comparing your flexibility to someone else's is like comparing apples to oranges. It makes no sense. What matters is understanding your own body's unique puzzle:

The Players in Your Flexibility Game:

Muscle fibers: Think of them as tiny elastic strings made of proteins that hold onto each other. They're the stretchy part that lengthens over time. Slowly, with regular practice, these fibers gain more potential to stretch. Stop stretching? That potential decreases. (This is why regularity matters more than intensity!)

Tendons: They connect muscle to bone and help protect your joints. Overstretching them means losing mobility and power—not what we want.

Ligaments: They stabilize your joints. Overstretch them and you get floppy joints instead of flexible ones. Think of an old hair elastic that's lost its bounce—that's an overstretched ligament.

Muscle spindles: Your body's built-in alarm system. When you stretch too fast or too deep, they send "DANGER!" signals to your brain to protect you from injury.

Here's the cool part: with slow, regular stretching, you can retrain this reflex. Over time, your muscles learn to trust the process. That alarm learns to recognize the difference between danger and growth—like a smoke detector that finally understands the difference between burnt toast and an actual fire.


Stretching Is a Slow Friendship

Every stretch is like a conversation:

Week 1: Your muscles say "absolutely not."
Week 3: With patience, breath, and repetition, they start saying "maybe…"
Week 8: Eventually, they say "sure, let's go there."

Let's make it real: When you first hold a forward fold, your hamstrings scream. By week 5, they whisper. By week 12, they're having a casual chat with you.

Regular stretching teaches your body to trust you. That's why flexibility training isn't about pain—it's about building trust between you and your own muscles. As you continue stretching slowly over time, your body adapts. It remembers these positions. It learns that it's okay to be here. That's what flexibility training really means: causing adaptations in your body that allow you to move into a greater range of motion.


The Science Made Simple

What Is Muscle Elasticity?

Elasticity is your muscle's ability to stretch through its full range of motion and then return to its original shape. Think of your muscles as elastic bands. When you point your toes in dance, some muscles contract (on your calf) while others relax (on the front of your leg) at the same time. This is your body's natural choreography.

More elasticity = more flexibility = lower risk of injury.

Elasticity means resilience, mobility, grace. It's what makes a dancer's body move like water, not wood.


What Kind of Stretching Works Best?

There are three main approaches to flexibility training:

1. Dynamic Stretching
Moving stretches that prepare your body for action—like leg swings, torso twists, or arm circles. Big dynamic movements that increase your blood flow. Blood brings oxygen and nutrients to muscles and takes away toxins. Great for warming up before class.

2. Static Stretching
The classic holds where you move into a position, breathe, and stay for about 30 seconds. This is where the deep work happens. Best at the end of training when your muscles are warm and pliable.

3. Progressive Overload
Gradually increasing depth, duration, or frequency over time. Tiny steps that add up to big change.

The golden rules: No bouncing. No forcing. No hero splits on day one.


Your Flexibility Toolkit — Practical Tips:

Go slow. Always. Slow, gentle movements with calm breathing win the flexibility game. Fast bouncing loses it.

Use your breath. Inhale to prepare, exhale to move a little deeper. Your breath is your best stretching partner.

Know the difference between discomfort and pain.
Discomfort = your muscles learning something new (okay).
Sharp or pinching pain = your body saying stop (not okay).

Stay hydrated and well-fed. Water keeps your fascia and muscles happy. Protein helps them recover. Your body can't adapt without the right fuel.

Use tools. Foam rollers or massage balls before class wake up your tissues and prepare them to stretch.

Stretch regularly, not aggressively. Three gentle 20-minute sessions beat one dramatic 90-minute "push yourself to tears" marathon.

Hold stretches for 30 seconds, then restart. Use your breath to guide you: hold, breathe, release, repeat.

Gradually increase everything. More depth, longer holds, more frequency—but slowly, over weeks and months.

Progress hides in tiny moments—one breath deeper, one degree softer. That's how it works.


From Splits to Stage: Why Flexibility Actually Matters for Dancers

Sure, it's cool if you can sit in a split. But that's just a party trick.

The real goal? Using that flexibility in movement:

  • A leg that floats high in a developpé

  • A soft, controlled landing in a jump

  • A back that breathes with emotion

  • Power to bring your body into positions that express what words can't

Flexibility isn't the end of training—it's the door that opens into strength, control, and expression. Your muscles take flexibility and translate it into dance movements. The split on the floor is nice, but what's truly impressive is when your muscles have the power to lift your leg into a high developpé, or spring you into a grand jeté.

Taking care of your muscles through smart flexibility training helps you dance better, longer, and with more freedom.


Where to Start at ANIMA FABRIK

Our Flexibility Classes are designed for all levels—dancers, movers, humans who just want to feel better in their bodies. They pair beautifully with Floor Barre, where you'll build the strength that supports your newfound range. (We're adding more of these classes soon because they're wildly popular!)

What you'll notice after 6 weeks of regular flexibility classes:

  • Easier everyday movement (bending down to pick up your keys becomes effortless, not an event)

  • Less back pain and tension

  • Deeper stretches without the drama

  • A body that feels lighter, freer, and more alive

You won't get circus splits overnight (sorry, Instagram). But you will get a body that moves with more ease, confidence, and joy.


Final Thought

Remember: flexibility isn't a competition. It's a practice.

It's your body learning to say yes to movement. It's patient dialogue, not a one-time download. So stop apologizing for being "not flexible"—and start getting curious. Your body is already listening. It's just waiting for you to start the conversation.

Ready to begin? Join us for a Flexibility class and discover what your body can do when you give it time, patience, and a little love.

→ SEE TIMETABLE
→ UNLIMITED MEMBERSHIP

📷 Aura Wedding Nina Kowalska vel Kowalczyk

Dance Etiquette: Your Guide to Studio Harmony 🫶

Where to stand, what to wear, when to clap—and how to make the dance floor feel like home for everyone


What Dance Etiquette Really Means

Think of dance etiquette like the unspoken language of respect. It's not about rigid rules or fancy manners—it's about creating a space where everyone can move freely, learn fearlessly, and connect authentically. It covers personal space, floor awareness and kindness to all dancers, regardless of whether they're on day one or year ten.

Basically, it's how we take care of each other so we can all focus on what we came here for: dancing 👯‍♀️✨

ANIMA FABRIK dancers in studio during class

📷 Patrizia Korn

Before Class Etiquette

Let's be honest—walking into a room full of strangers who seem to know exactly what they're doing is intimidating as hell. Even as teachers, we remember that heart-racing moment of not knowing where to stand or whether you belong.

Here's the secret: everyone was new once! That dancer executing perfect turns? They once stood exactly where you're standing, wondering if they'd taken someone's "spot."

Breaking the Ice: Instead of hovering awkwardly by the door, try these conversation starters with a friendly face:

"Have you taken this class before? Any tips?"

"Is there anything I should know about this teacher's style?"

"Do you mind if I ask—where's the best place for a beginner to stand?"

Pro tip: Introduce yourself to the teacher before class starts. It takes 30 seconds, makes you visible, and ensures you get the attention every newcomer deserves. We're not here to judge or criticise you for not being able to execute everything perfectly—we're happy you're here and you're curious!

Arrive on Time and Ready: If the room is empty when you arrive, don't wait for someone to entertain you. Take a spot and spend 5-10 minutes warming up your body. Don’t overthink it—roll your shoulders, stretch your back, swing your arms, maybe do a few squats. Anything that wakes up your body works.


What to Wear or Fashion Choices That Don't Steal the Show

What Makes Us Happy 😍

  • Black and white. Our studio dress code isn’t about being boring—it’s about creating visual calm so teachers can focus on your technique, not your Mickey Mouse t-shirt. We’re not against colours—just keep them tasteful.

  • Fitted clothing. We need to see your body lines to help you improve.

  • Fresh socks = happiness🎉

What Makes Us Cry 😅

  • Baggy clothes in a modern class. Karl Lagerfeld loved seeing clothes hang on models, but we love seeing your hips, waist and knees—it allows the teacher to see YOU.

  • Keep the old clothes for painting walls. We get that dance clothes are expensive, but trust us, you will feel more self-confident and surprised how being nicely dressed will make you dance better.

  • Neon? Save them for the rave. In class they're just visual noise.

  • Sexy outfits? Fantastic for a party — but in class, functional beats fashionable every time.

The Practical Stuff:

  • Long hair? Tie it back so you can actually see what you're doing (revolutionary concept). And jewelry? Save the bling for after class.

  • Fresh body = happy neighbours. Find a deodorant that really works for you, and save the perfume cloud for date night.

  • Shoes? Not here. This floor is basically our holy ground. Bare feet or sport socks will make you feel connected to the floor.


In Class Etiquette — The Art of Finding Your Spot

The Strategy of Smart Placement: we love what we call "chess positioning"—strategic placement that sets you up for success. Instead of lining up directly behind each other, you stagger so everyone can see the teacher and nobody gets blocked. Think of standing like trees in an orchard — everyone gets sun and nobody is hidden in the shade.

The second row is pure gold 😉 You'll be close enough to see and hear everything the teacher demonstrates, you'll have someone experienced in front to follow when you're lost, and there's a safety net behind you for those moments when combinations travel or turn around.

Golden rule: Maintain at least one meter between yourself and other dancers. Nobody likes being suddenly blocked, so if you want to slip into a particular area, just smile and ask the people nearby if it's okay. A simple "Mind if I join you here?" keeps the vibe friendly and gives you allies in the room.

Bodies Collide and they will! It's part of dancing in a group, like spilling coffee is part of Monday mornings. Quick apology, maybe a smile, then move on. Don't turn it into a dramatic five-act play with excessive apologising.

Work Your Listening Skills. In class, every correction is a gift. Even if the teacher is talking to someone else, listen as if it’s meant for you. Chances are, you’ll need that advice too. Train your ears as much as your body — it’s one of the fastest ways to improve.

The Rhythm of Respect: So when the teacher says ‘next group,’ the other group becomes the cheer squad — and at the end, clap for them, no matter what. Not because they were perfect (perfection is boring anyway), but because they tried. It's a support act, an energy exchange, a way of saying "I see your effort and I celebrate it."

Communicate kindly. If something doesn't feel right, speak up with grace. Boundaries are healthy; rudeness is not.

Focus on Your Own Journey! It's easy to fall into the trap of comparing yourself to others, but this can be detrimental to your own progress and self-esteem. Focus on your personal growth and set your own goals. Celebrate your accomplishments, no matter how small, and understand that each dancer has a unique path.


Phone-Free Zone 📵

Your phone will be just fine waiting for you. For this one hour, let the world wait—and let yourself dance. Unless you're a new parent with a two-month-old (mothers, you get a pass), the notifications can hold on.

During water breaks, talk to each other. Ask someone to explain a move you missed. Give a compliment. Share a laugh. The notifications will still be there when class ends—but these moments of human connection won't.

About filming: Filming feels tempting, we know. But honestly? Nothing beats practicing in the moment, with the energy of the room around you. Why capture it when you could live it? And if you really want to save something for later—film yourself after class, or ask a classmate if they’ll repeat the combo for your camera. That way the flow of the class stays alive, and you still get your practice video.


After Class Etiquette

Don't rush out the door! The class doesn't end when the teacher says "thank you"—it ends when you've absorbed what you just learned.

Stay for 15 minutes to:

  • Practice sequences on your own. Even if you only remember one move, repeat that one. Replay the class in your head—it helps more than you think.

  • Stretch (seriously, stretch!)

  • Connect with other dancers over tea and fruit (yes, we provide both)

  • Share impressions, ask questions, be human together 🫶

The truth: We get it—sometimes life calls. But if you can, stay around and enjoy the atmosphere a little longer. The best conversations and breakthroughs often happen in those extra 15 minutes. This is where community happens, where friendships form, where the real magic of shared movement gets processed.


Remember Why We're All Here

At the end of the day (or class), we're all here because we love dancing! ❤️ We're here to move, to grow, to connect, to challenge ourselves, and to be part of something bigger than our individual bodies.

Dance etiquette isn't about rules—it's about love. Love for the art-form, love for each other, love for the sacred space we create together.

So come as you are, respect the space, support your fellow dancers, and let's enjoy some magic on the dance floor✨

Ready to join our community?

→ Try a beginner-friendly class this week
→ become part of the ANIMA family 🤍
ANIMA FABRIK students warming up in a contemporary dance class in Vienna

📷 Patrizia Korn

Dance Levels Explained: From Level 1 to Level 5 🧩

Confused by numbers on the timetable? Here's what each level really means—and how to find your safe starting point.

📷 Patrizia Korn

Since When Did Creativity Become a Suffering Contest?

Almost every dance timetable carries labels: Beginner · Intermediate · Advanced. Think of them like movie genres—comedy, thriller, drama. The label sets the vibe; it doesn't decide whether you're "allowed" in the audience. 😉

At ANIMA FABRIK, we believe curiosity is the truth and the only reliable compass for creative living. Our levels aren't door guards—they're comfort-vs-challenge guides designed to feed your wonder, not your ego.

Here's the beautiful reality: our classes often end up mixed anyway. Beginners pick up insights from experienced dancers, pros still drill the basics, and the blend makes the room vibrate. ⚡


Level 1 • Basic

0-2 years of training

💡 About those timeframes: The years mentioned are based on our observations of how long dancers typically spend developing at each level. They're guideposts, not rules. Your journey might be faster, slower, or completely different—and that's exactly as it should be.

This is where curiosity begins. You'll learn essential elements like plié and contraction, pick up terminology, and work through simple sequences in a supportive environment. Think: learning to walk in contemporary language.

What you might do: a basic phrase moving from simple to more complex variations, exploring weight, breath, and coordination.

If you're new to dance or just dusting off, this is home base. But remember—you can always peek into higher levels. It's not a crime to be curious.


Level 2 • Beginner

1-3 years of training

You know some basics now, and it's time to refine them. Slightly more complex combinations, deeper understanding of fundamentals, and growing confidence in your movement. You have learned that failure has a function—it's teaching you.

What you might do: warm up exercise combos, traveling phrases across the floor, introduction to different body languages and forms.

Remember: the only real rule is—show up. The floor will meet you where you are.


Level 3 • Beginner+

2-5 years of training

By now you've got a solid foundation, and this is where it gets interesting. You don't feel intimidated by faster pace and challenging combinations, you pay more attention to musicality, and yes—frustration still visits. But that's the sign that you are growing.

What you might do: complex floor work sequences, jumps and turns in combination, playing with dynamics and timing.

Remember: now you know that if you love dancing more than your ego, suddenly words like "failure" and "success" become irrelevant. Don't let ego run the show; it only craves reward, reward, reward. Instead, desire wonder.


Level 4 • Intermediate

5-8 years of training

You're fluent in dance vocabulary now and ready to dive into nuance. Classes focus on detailed technique—like jeweler work under a magnifying glass—quality of movement, and sophisticated combinations. You'll start feeling like a craftsperson, shaping your dance with intention and care.

What you might do: intricate phrase work with multiple levels and directions, performance quality development, redefining your own style.

This is where technique meets artistry, and self-confidence becomes your most powerful tool.


Level 5 • Advanced

8-10+ years of training

Designed for pre-professional and professional dancers with extensive training across contemporary and modern styles. This level is about care for details, personal style of self-expression, and pushing limits with courage and intelligence.

What you might do: highly complex choreography, advanced technique integration, preparation for performance or professional work.

At this level, it's not just love anymore—it's a need. You're educated, skilled, but you still want more. After 8-10+ years, dancing isn't something you enjoy; it just becomes part of who you are.


Why We Use Level Ranges, like 1-3 or 2-4

You'll notice our timetable shows ranges like "Level 1-3" instead of single numbers. That's because dance learning isn't that precise! A single class might have floor work perfect for beginners, a traveling sequence that challenges Level 2 dancers, and a final combination that pushes Level 3 students.

These ranges give you permission to grow within the same room. Remember: whatever class you choose, it will feel simple in some ways, and it will feel hard in other ways. There's no "perfect easy class" where everything clicks immediately. Dance always challenges you — that's part of the fun!

If you want to do it, just start. Don't wait until you feel "ready" — because the floor will make you ready🌟


The Truth About Levels

Here's what we've learned after years of teaching: the room belongs to everyone who loves to move. Whether you're discovering your first grand battement in Level 1 or perfecting your artistry in Level 5, you're part of the same creative conversation.

Curiosity doesn't care about your level. Wonder doesn't check your résumé. And the magic that happens when bodies move through space? That's available to everyone willing to show up and explore.

So come as you are, start where you are, and let your curiosity guide you forward. The numbers on our timetable are just suggestions—your love for movement is the only requirement that matters.

Ready to explore? Check our timetable and follow your curiosity. And we will be there to support you on the dance floor

→ SEE TIMETABLE

📷 Patrizia Korn

The Absolute Beginner's Guide 🧭

Welcome to ANIMA FABRIK—here's how to make the most of your unlimited membership

📷 Patrizia Korn

If you’ve just joined ANIMA FABRIK and aren’t sure where to start — this is your 12-week roadmap to get confident, fit, and ready to dance without fear.

How dance learning actually works?

Think of learning dance like learning a language. You wouldn't take one Spanish class and expect to be fluent, right? Dance works the same way—it's about building vocabulary, muscle memory and finding your own rhythm over time.

The golden rule: Come 2-3 times per week, minimum. Consistency beats talent. Your membership lets you attend unlimited classes, so use it! Your body needs regular practice to remember what it learned.


Your weekly rhythm:

Minimum Commitment (2x/week):

  • 1 flexibility/floor barre class

  • 1 technique class

Sweet Spot (3x/week):

  • 1 flexibility/floor barre class

  • 2 technique classes (could be same style or mix it up)

Dance Enthusiast (4+/week):

  • Try new teachers, explore different styles, add workshops.

  • Your membership makes this possible—use it!


Suggested schedule Pick 2 different day options and commit!

  • Mon 18:30 Flexibility → Mon 19:45 Contemporary Fusion

  • Tue 18:30 Foundations II → Tue 19:45 Modern Jazz Mattox

  • Wed 18:30 Modern Horton or Floor Barre

  • Thu 18:30 Graham Beginners → Thu 19:45 Contemporary

Morning person? Tue 9:15 Floor Barre + Thu 9:15 Flexibility, then add one evening class.

Skip for now: Company Rehearsals, Level 4, and project groups. But if your Level 1–3 classes feel comfy, feel free to join!

SEE TIMETABLE

What to expect and why that's okay!

Everyone was a beginner once. That advanced dancer next to you? They remember exactly how overwhelming their first class felt.

You'll feel lost sometimes. This is normal and temporary. Some days you'll feel like you're made of rubber, others like you're made of wood. Both are fine.

Some weeks you'll want to quit. Some classes will make you feel clumsy. Some combinations will seem impossible.

This is not failure—this is learning. The dancers you admire went through this exact same process. They just kept showing up.


Your 12-Week Roadmap

Weeks 1–2
Learn the room: where to stand, how combos work, what all those French words mean. Ask questions—lots of them.

Weeks 3–4
Moves will start making sense. Film your feet after class, write down 2–3 cues you learned. Ask an advanced dancer to explain something you didn't understand—you'll be surprised how happily they'll help!

Weeks 5–8
Add a second technique (maybe Horton, or Graham) or swap one class to explore something new.

Weeks 9–12
Re-try a class you didn't love at first—new skills often mean new joy. This becomes your pattern for years.


Progress Markers

You'll know you're growing when:

  • You can follow a full warm-up / combinations without watching others

  • You recognize terms (plié, contraction, tilt, flat back, triplet)

  • You remember an 8–16 count phrase by yourself

  • You can repeat a phrase on the other side without panic.

  • Your balance and flexibility have improved (touch lower in a forward fold, hold passé longer)

  • Soreness becomes normal (remember: sleep, warm shower, light stretching always help)


Your Learning Journey in 3 Phases

Phase 1: Foundation Building (Months 1-3)
Start with Floor Barre & Flexibility weekly—these are non-negotiable. Sample every "All Levels" and "Level 1-3" class to find what excites you. By month 2, pick 1-2 favorites and stick with them for consistency.

Phase 2: Deepening (Months 4-6)
Keep your flexibility routine. Revisit classes you "didn't like" earlier—your growing skills often transform previous challenges into new favorites. Add a second technique style if you're ready.

Phase 3: Finding Your Voice (Month 6+)
Choose classes that challenge you rather than comfort you. Follow teachers whose style resonates. Take calculated risks with higher levels. Keep cycling back to explore—your taste will keep evolving.


So don't stop showing up! We're here, we're cheering for you, and we can't wait to see where this journey takes you!✨ See you on the dance floor!

→ Start with the High Five Starter 🚀
→ go for unlimited membership

📷 Patrizia Korn

Dear Absolute Beginner—Welcome to the Dance Floor 🖤

An ANIMA FABRIK love‑letter to everyone who thinks they have two left feet.

📷 Patrizia Korn

You're Allowed to Be Scared.

If you have ever said, “I can’t dance” or “I’m not flexible,” you are not alone. Fear shows up at our door every day. We greet it with a smile and let it watch from the corner while you take centre stage.

Here's what I wish someone had told me when I started: You're supposed to come to flexibility class to GET flexible, not to prove you already are.

Mind-blowing concept, right?


Let's Kill Some Myths While We're Here ;)

"But I need to be flexible before I start!"
This is like saying you need to be fluent in Spanish before taking Spanish lessons. Flexibility isn't your entry ticket—it's your graduation gift.

"I dance at parties, so this should be easy."
Party dancing is awesome. Modern dance technique? That's a whole different animal. And that's totally fine. We're all learning something new here.

"Everyone will judge me if I'm not perfect."
Honestly? We're all too busy trying not to fall over to judge anyone else. Plus, our advanced dancers? They remember exactly what it felt like to be where you are now.


Here's the Real Talk About Learning Dance.

Dance isn't magic—it's a craft. Like learning to cook or speak a new language, it takes time, practice, and a healthy dose of curiosity.

Yes, good teachers help enormously (and we'd like to think we're pretty good). But you'll also become your own best teacher—watching videos that inspire you, asking questions when something doesn't click, maybe even keeping notes about what felt different from week to week.

The secret ingredient? Showing up consistently, even when (especially when) you feel like you have no idea what you're doing.


What Makes Our Studio Different?

Here's what you won't find at ANIMA FABRIK: egos, competition, or anyone pretending they were born knowing how to grand jeté.

What you will find: advanced dancers sweating right next to first-timers, everyone celebrating when someone nails a move they've been working on for weeks, and instructors who remember that learning should actually be enjoyable.

We clap for effort here. Perfection is nice, but effort? That's where the magic happens.


Your Actual Game Plan - No Overthinking Required!

Start somewhere. Any class marked "all levels" or "level 1-3" is your friend. Don't spend three weeks researching the "perfect" first class.

Come back next week. And the week after that. Progress lives in consistency, not in sporadic bursts of motivation.

Do tiny homework. Stretch while binge-watching Netflix. Watch one dance video that makes you smile. Notice how your body feels different. And here's something most people skip: dive down a Wikipedia rabbit hole about dance history. Learning why Martha Graham revolutionized modern dance is just as valuable as knowing the latest TikTok trend.

Stay curious. Take that weird workshop. Go see a show. Follow dancers who inspire you online.

Forget perfect—it is the enemy of possible. Aim for better, not best.


Pep Talk for the Road 🙌

The world owes no automatic reward, but dance will give back what you put in—joy, strength, confidence. People’s judgments? None of your business.

So commit to a creative life. Be a deeply disciplined half‑ass who shows up, laughs, learns, and improves. Oscar Wilde called the artistic life “one long, lovely suicide.” Some call it Play. We just call it Tuesday.

Go take classes. Go research. Go move. Trust the process, and trust us—we’re cheering for you. ✨

📷 Patrizia Korn

Modern vs. Contemporary – What’s the Difference?

Have you noticed how dance programs often toss around two deliciously confusing labels—modern and contemporary—as if they were the same lipstick in different shades? Let’s peel back the curtain together.


Why We Even Care

When you know a flavour, you taste it deeper. At ANIMA FABRIK we call that becoming a dance sommelier—someone who can sip movement the way a wine lover tastes cherries and sunshine in a glass of red.

Our dream is to raise not only brave movers but curious audiences—dance sommeliers who can whisper, “Ah, that grand battement—definitely a Balanchine bouquet,” or “Those feral spirals? Pure Graham.”

Knowing the name does not make you a snob; it simply opens the door to more joy.


A Lightning Tour in Pointe Shoes

Picture Renaissance Italy, 1500‑something. Court spectacles are all the rage: nobles showing off, candlelight glittering on silk. Catherine de’ Medici ferries the craze over the Alps to France, where ballet grows tall and royal. Then, one February evening in 1823, the ballerina Amalia Brugnoli rises onto the very tips of her toes. The audience gasps—the stage suddenly looks weightless, limitless. Pointe work is born, and kings and queens polish it until it shines.


Merce Cunnningham “Beach Birds“

“Modern” Arrives Like a Riot at a Dinner Party

Now we fast‑forward to crowded cities around 1900. Smoke clouds the sky, machines clatter, fresh ideas buzz. Women toss their corsets, painters shatter perspective. Dancers, feeling trapped by stiff rules, kick off their shoes.

  • Isadora Duncan flings her hair and her heart toward the sun.

  • Martha Graham hugs the floor, then throws her ribs to the sky.

  • Merce Cunningham lets dice choose his steps—chance becomes his dance partner.

  • José Limón shows us how falling can look like floating.

  • Matt Mattox mixes jazz with cheeky charm and teaches it to wink.

Modern dance is yesterday’s loud “NO!” to tight corsets and tight ideas—a capital‑R Revolution, freedom written in sweat.


📷 Patrizia Korn

Contemporary Dance – The Soup We Cook Today

Jump to right now. Contemporary dance is an open kitchen. Take a dash of ballet lines, a spoonful of Graham spirals, a pinch of capoeira kicks, a breath of yoga, your grandma’s lullaby, even video‑game moves. Stir, taste, dance.

We call it organised chaos because it is messy, honest, and different every single night. Where modern once shouted, “Out with the old, in with the raw,” contemporary murmurs, “Bring everything you’ve got; we’ll see what sticks.”


The Simple Take‑Away

Modern = The past revolution that broke the rules.
Contemporary = The living conversation happening today.

Both grow on the same family tree, and both dance in our Vienna studio. We train, sweat, laugh, invent—always with room at the table for you. Come taste the dance with us. ✨